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"What may words say ...?" [[electronic resource]] : a reading of The merchant of Venice / / Inge Leimberg
| "What may words say ...?" [[electronic resource]] : a reading of The merchant of Venice / / Inge Leimberg |
| Autore | Leimberg Inge |
| Pubbl/distr/stampa | Madison, N.J., : Fairleigh Dickinson University Press |
| Descrizione fisica | 1 online resource (294 p.) |
| Disciplina | 822.3/3 |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-61147-001-3 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
""WHAT MAY WORDS SAY...?""; Contents; Preface; Beginning to read; 1. ""What do you call the play?""; 2. ""Good sentences . . .""; Act 1: The Merchant and the Maxims; Scene 1. ""otherwise friendship would bee a meere merchandise . . .""; 1-7 Know thyself; 8-68 ""I know Antonio / Is sad . . .""; 69-112 ""A stage, where every man must play a part . . .""; 113-160 ""Then do but say to me what I should do . . .""; 161-185 ""To have it of my trust . . .""; Scene 2. ""choose you this day whom you will serve""; 1-9 Nothing too much; 10-97 A conversational chain of themes; ""to be seated in the mean""
""what were good to do""""O me the word 'choose'!""; 32-98 Interlude: ""these princely suitors""; 99-128 ""the will of a living daughter curb'd by the will of a dead father""; ""How to choose right . . .""; ""my father's will""; Scene 3. ""Be not thou one . . . of those who are sureties for debts""; ""Enter Bassanio with Shylock the Jew"" Harme is at hande; 1 ""three thousand ducats""; a. The number three; b. The number 3000; c. Ducat, the coin and the word; 1-9 ""Antonio shall become bound, well""; 11-34 ""he is sufficient""; 35-47 ""possessed with murd'rous hate"" 47-65 ""I do never use it""66-97 ""I make it breed as fast""; 59 ""the breach of custom is breach of all""; 98-138 The Golden Rule; 138-175 ""How feel you yourself my friend? . . .""; 176-177 ""And forgive us our debts . . .""; Act 2: Departure; Scene 1. ""what braggardism is this?""; Scene 2. ""Give him a livery""; 1-30 ""An enemy may chance to give good counsel""; 31-35 ""this is my true-begotten father""; 36-95 ""it is a wise father that knows his own child""; 95-148 ""I have brought him a present""; 149-160 ""Such beginning, such end""; 161-197 Epilogue: ""Something too liberal"" Scene 3. ""Farewell good Launcelot""Scene 3. (continued). ""We paint the devil foul . . .""; Scene 4. ""Will you prepare you for this masque to-night?""; Scene 5. ""Lock up my doors . . .""; Scene 6. ""No masque tonight . . .""; 1-21 ""Haste makes waste""; 22-25 ""Here dwells my father Jew""; 26-32 ""Who are you?""; 33-50 ""catch this casket""; 51-59 ""wise, fair, and true""; 60-68 ""the wind is come about""; Scene 7. ""I stand for sacrifice""; Scene 8. ""by some nuntius to recount the things""; Scene 9. ""Hanging and wiving goes by destiny"" 1-84 ""I will use them according to their desert""85-101 ""he bringeth sensible regreets""; Act 3: The Choice; Scene 1. ""if you wrong us shall we not revenge?""; 1-66 ""The villainy you teach me I will execute""; 67-120 ""thou torturest me Tubal""; Scene 2. ""If you do love me, you will find me out""; 1-24 ""I pray you tarry""; 24-38 ""Promise me life . . .""; 39-41 ""Suit the action to the word""; 42-53 ""Let music sound . . .""; 53-62 ""while he doth make his choice""; 63-72 ""Tell me where is fancy bred?""; 73 ""So may the outward shows be least themselves"" |
| Record Nr. | UNINA-9910452610603321 |
Leimberg Inge
|
||
| Madison, N.J., : Fairleigh Dickinson University Press | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
"What may words say ...?" [[electronic resource]] : a reading of The merchant of Venice / / Inge Leimberg
| "What may words say ...?" [[electronic resource]] : a reading of The merchant of Venice / / Inge Leimberg |
| Autore | Leimberg Inge |
| Pubbl/distr/stampa | Madison, N.J., : Fairleigh Dickinson University Press |
| Descrizione fisica | 1 online resource (294 p.) |
| Disciplina | 822.3/3 |
| ISBN | 1-61147-001-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
""WHAT MAY WORDS SAY...?""; Contents; Preface; Beginning to read; 1. ""What do you call the play?""; 2. ""Good sentences . . .""; Act 1: The Merchant and the Maxims; Scene 1. ""otherwise friendship would bee a meere merchandise . . .""; 1-7 Know thyself; 8-68 ""I know Antonio / Is sad . . .""; 69-112 ""A stage, where every man must play a part . . .""; 113-160 ""Then do but say to me what I should do . . .""; 161-185 ""To have it of my trust . . .""; Scene 2. ""choose you this day whom you will serve""; 1-9 Nothing too much; 10-97 A conversational chain of themes; ""to be seated in the mean""
""what were good to do""""O me the word 'choose'!""; 32-98 Interlude: ""these princely suitors""; 99-128 ""the will of a living daughter curb'd by the will of a dead father""; ""How to choose right . . .""; ""my father's will""; Scene 3. ""Be not thou one . . . of those who are sureties for debts""; ""Enter Bassanio with Shylock the Jew"" Harme is at hande; 1 ""three thousand ducats""; a. The number three; b. The number 3000; c. Ducat, the coin and the word; 1-9 ""Antonio shall become bound, well""; 11-34 ""he is sufficient""; 35-47 ""possessed with murd'rous hate"" 47-65 ""I do never use it""66-97 ""I make it breed as fast""; 59 ""the breach of custom is breach of all""; 98-138 The Golden Rule; 138-175 ""How feel you yourself my friend? . . .""; 176-177 ""And forgive us our debts . . .""; Act 2: Departure; Scene 1. ""what braggardism is this?""; Scene 2. ""Give him a livery""; 1-30 ""An enemy may chance to give good counsel""; 31-35 ""this is my true-begotten father""; 36-95 ""it is a wise father that knows his own child""; 95-148 ""I have brought him a present""; 149-160 ""Such beginning, such end""; 161-197 Epilogue: ""Something too liberal"" Scene 3. ""Farewell good Launcelot""Scene 3. (continued). ""We paint the devil foul . . .""; Scene 4. ""Will you prepare you for this masque to-night?""; Scene 5. ""Lock up my doors . . .""; Scene 6. ""No masque tonight . . .""; 1-21 ""Haste makes waste""; 22-25 ""Here dwells my father Jew""; 26-32 ""Who are you?""; 33-50 ""catch this casket""; 51-59 ""wise, fair, and true""; 60-68 ""the wind is come about""; Scene 7. ""I stand for sacrifice""; Scene 8. ""by some nuntius to recount the things""; Scene 9. ""Hanging and wiving goes by destiny"" 1-84 ""I will use them according to their desert""85-101 ""he bringeth sensible regreets""; Act 3: The Choice; Scene 1. ""if you wrong us shall we not revenge?""; 1-66 ""The villainy you teach me I will execute""; 67-120 ""thou torturest me Tubal""; Scene 2. ""If you do love me, you will find me out""; 1-24 ""I pray you tarry""; 24-38 ""Promise me life . . .""; 39-41 ""Suit the action to the word""; 42-53 ""Let music sound . . .""; 53-62 ""while he doth make his choice""; 63-72 ""Tell me where is fancy bred?""; 73 ""So may the outward shows be least themselves"" |
| Record Nr. | UNINA-9910790592003321 |
|
Leimberg Inge
|
||
| Madison, N.J., : Fairleigh Dickinson University Press | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
"What may words say ...?" [[electronic resource]] : a reading of The merchant of Venice / / Inge Leimberg
| "What may words say ...?" [[electronic resource]] : a reading of The merchant of Venice / / Inge Leimberg |
| Autore | Leimberg Inge |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Madison, N.J., : Fairleigh Dickinson University Press |
| Descrizione fisica | 1 online resource (294 p.) |
| Disciplina | 822.3/3 |
| ISBN | 1-61147-001-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
""WHAT MAY WORDS SAY...?""; Contents; Preface; Beginning to read; 1. ""What do you call the play?""; 2. ""Good sentences . . .""; Act 1: The Merchant and the Maxims; Scene 1. ""otherwise friendship would bee a meere merchandise . . .""; 1-7 Know thyself; 8-68 ""I know Antonio / Is sad . . .""; 69-112 ""A stage, where every man must play a part . . .""; 113-160 ""Then do but say to me what I should do . . .""; 161-185 ""To have it of my trust . . .""; Scene 2. ""choose you this day whom you will serve""; 1-9 Nothing too much; 10-97 A conversational chain of themes; ""to be seated in the mean""
""what were good to do""""O me the word 'choose'!""; 32-98 Interlude: ""these princely suitors""; 99-128 ""the will of a living daughter curb'd by the will of a dead father""; ""How to choose right . . .""; ""my father's will""; Scene 3. ""Be not thou one . . . of those who are sureties for debts""; ""Enter Bassanio with Shylock the Jew"" Harme is at hande; 1 ""three thousand ducats""; a. The number three; b. The number 3000; c. Ducat, the coin and the word; 1-9 ""Antonio shall become bound, well""; 11-34 ""he is sufficient""; 35-47 ""possessed with murd'rous hate"" 47-65 ""I do never use it""66-97 ""I make it breed as fast""; 59 ""the breach of custom is breach of all""; 98-138 The Golden Rule; 138-175 ""How feel you yourself my friend? . . .""; 176-177 ""And forgive us our debts . . .""; Act 2: Departure; Scene 1. ""what braggardism is this?""; Scene 2. ""Give him a livery""; 1-30 ""An enemy may chance to give good counsel""; 31-35 ""this is my true-begotten father""; 36-95 ""it is a wise father that knows his own child""; 95-148 ""I have brought him a present""; 149-160 ""Such beginning, such end""; 161-197 Epilogue: ""Something too liberal"" Scene 3. ""Farewell good Launcelot""Scene 3. (continued). ""We paint the devil foul . . .""; Scene 4. ""Will you prepare you for this masque to-night?""; Scene 5. ""Lock up my doors . . .""; Scene 6. ""No masque tonight . . .""; 1-21 ""Haste makes waste""; 22-25 ""Here dwells my father Jew""; 26-32 ""Who are you?""; 33-50 ""catch this casket""; 51-59 ""wise, fair, and true""; 60-68 ""the wind is come about""; Scene 7. ""I stand for sacrifice""; Scene 8. ""by some nuntius to recount the things""; Scene 9. ""Hanging and wiving goes by destiny"" 1-84 ""I will use them according to their desert""85-101 ""he bringeth sensible regreets""; Act 3: The Choice; Scene 1. ""if you wrong us shall we not revenge?""; 1-66 ""The villainy you teach me I will execute""; 67-120 ""thou torturest me Tubal""; Scene 2. ""If you do love me, you will find me out""; 1-24 ""I pray you tarry""; 24-38 ""Promise me life . . .""; 39-41 ""Suit the action to the word""; 42-53 ""Let music sound . . .""; 53-62 ""while he doth make his choice""; 63-72 ""Tell me where is fancy bred?""; 73 ""So may the outward shows be least themselves"" |
| Record Nr. | UNINA-9910826975503321 |
|
Leimberg Inge
|
||
| Madison, N.J., : Fairleigh Dickinson University Press | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
30 great myths about Shakespeare
| 30 great myths about Shakespeare |
| Autore | Maguire Laurie E |
| Pubbl/distr/stampa | [Place of publication not identified], : Wiley Blackwell, 2013 |
| Disciplina | 822.3/3 |
| Soggetto topico |
English
Languages & Literatures English Literature |
| ISBN | 1-118-32677-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910133734603321 |
|
Maguire Laurie E
|
||
| [Place of publication not identified], : Wiley Blackwell, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
30 great myths about Shakespeare
| 30 great myths about Shakespeare |
| Autore | Maguire Laurie E |
| Pubbl/distr/stampa | Chichester, U.K. ; ; Hoboken : , : Wiley-Blackwell, , 2013 |
| Descrizione fisica | 1 online resource (vi, 216 pages) : illustrations |
| Disciplina |
822.3/3
822.33 |
| Altri autori (Persone) | SmithEmma (Emma Josephine) |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-299-15789-0
1-118-32486-2 1-118-32487-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Myth 1 Shakespeare was the most popular writer of his time -- Myth 2 Shakespeare was not well educated -- Myth 3 Shakespeare's plays should be performed in Elizabethan dress -- Myth 4 Shakespeare was not interested in having his plays printed -- Myth 5 Shakespeare never traveled -- Myth 6 Shakespeare's plays are politically incorrect -- Myth 7 Shakespeare was a Catholic -- Myth 8 Shakespeare's plays had no scenery -- Myth 9 Shakespeare's tragedies are more serious than his comedies -- Myth 10 Shakespeare hated his wife -- Myth 11 Shakespeare wrote in the rhythms of everyday speech -- Myth 12 Hamlet was named after Shakespeare's son -- Myth 13 The coarse bits of Shakespeare are for the groundlings, the philosophy is for the upper classes -- Myth 14 Shakespeare was a Stratford playwright -- Myth 15 Shakespeare was a plagiarist -- Myth 16 We don't know much about Shakespeare's life -- Myth 17 Shakespeare wrote alone -- Myth 18 Shakespeare's sonnets are autobiographical -- Myth 19 If Shakespeare were writing now, he'd be writing for Hollywood -- Myth 20 The Tempest was Shakespeare's farewell to the stage -- Myth 21 Shakespeare had a huge vocabulary -- Myth 22 Shakespeare's plays are timeless -- Myth 23 Macbeth is jinxed in the theater -- Myth 24 Shakespeare did not revise his plays -- Myth 25 Boy actors played women's roles -- Myth 26 Shakespeare's plays don't work as movies -- Myth 27 Yorick's skull was real -- Myth 28 Queen Elizabeth loved Shakespeare's plays -- Myth 29 Shakespeare's characters are like real people -- Myth 30 Shakespeare didn't write Shakespeare. |
| Record Nr. | UNINA-9910463142403321 |
|
Maguire Laurie E
|
||
| Chichester, U.K. ; ; Hoboken : , : Wiley-Blackwell, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
30 great myths about Shakespeare / / Laurie Maguire, Emma Smith
| 30 great myths about Shakespeare / / Laurie Maguire, Emma Smith |
| Autore | Maguire Laurie E |
| Pubbl/distr/stampa | Chichester, U.K. ; ; Hoboken : , : Wiley-Blackwell, , 2013 |
| Descrizione fisica | 1 online resource (vi, 216 pages) : illustrations |
| Disciplina |
822.3/3
822.33 |
| Altri autori (Persone) | SmithEmma (Emma Josephine) |
| ISBN |
1-299-15789-0
1-118-32486-2 1-118-32487-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Myth 1 Shakespeare was the most popular writer of his time -- Myth 2 Shakespeare was not well educated -- Myth 3 Shakespeare's plays should be performed in Elizabethan dress -- Myth 4 Shakespeare was not interested in having his plays printed -- Myth 5 Shakespeare never traveled -- Myth 6 Shakespeare's plays are politically incorrect -- Myth 7 Shakespeare was a Catholic -- Myth 8 Shakespeare's plays had no scenery -- Myth 9 Shakespeare's tragedies are more serious than his comedies -- Myth 10 Shakespeare hated his wife -- Myth 11 Shakespeare wrote in the rhythms of everyday speech -- Myth 12 Hamlet was named after Shakespeare's son -- Myth 13 The coarse bits of Shakespeare are for the groundlings, the philosophy is for the upper classes -- Myth 14 Shakespeare was a Stratford playwright -- Myth 15 Shakespeare was a plagiarist -- Myth 16 We don't know much about Shakespeare's life -- Myth 17 Shakespeare wrote alone -- Myth 18 Shakespeare's sonnets are autobiographical -- Myth 19 If Shakespeare were writing now, he'd be writing for Hollywood -- Myth 20 The Tempest was Shakespeare's farewell to the stage -- Myth 21 Shakespeare had a huge vocabulary -- Myth 22 Shakespeare's plays are timeless -- Myth 23 Macbeth is jinxed in the theater -- Myth 24 Shakespeare did not revise his plays -- Myth 25 Boy actors played women's roles -- Myth 26 Shakespeare's plays don't work as movies -- Myth 27 Yorick's skull was real -- Myth 28 Queen Elizabeth loved Shakespeare's plays -- Myth 29 Shakespeare's characters are like real people -- Myth 30 Shakespeare didn't write Shakespeare. |
| Record Nr. | UNINA-9910786047903321 |
|
Maguire Laurie E
|
||
| Chichester, U.K. ; ; Hoboken : , : Wiley-Blackwell, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
30 great myths about Shakespeare
| 30 great myths about Shakespeare |
| Autore | Maguire Laurie E |
| Pubbl/distr/stampa | [Place of publication not identified], : Wiley Blackwell, 2013 |
| Disciplina | 822.3/3 |
| Soggetto topico |
English
Languages & Literatures English Literature |
| ISBN | 1-118-32677-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910830764103321 |
|
Maguire Laurie E
|
||
| [Place of publication not identified], : Wiley Blackwell, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
30 great myths about Shakespeare / / Laurie Maguire, Emma Smith
| 30 great myths about Shakespeare / / Laurie Maguire, Emma Smith |
| Autore | Maguire Laurie E |
| Pubbl/distr/stampa | Chichester, U.K. ; ; Hoboken : , : Wiley-Blackwell, , 2013 |
| Descrizione fisica | 1 online resource (vi, 216 pages) : illustrations |
| Disciplina |
822.3/3
822.33 |
| Altri autori (Persone) | SmithEmma (Emma Josephine) |
| ISBN |
1-299-15789-0
1-118-32486-2 1-118-32487-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Myth 1 Shakespeare was the most popular writer of his time -- Myth 2 Shakespeare was not well educated -- Myth 3 Shakespeare's plays should be performed in Elizabethan dress -- Myth 4 Shakespeare was not interested in having his plays printed -- Myth 5 Shakespeare never traveled -- Myth 6 Shakespeare's plays are politically incorrect -- Myth 7 Shakespeare was a Catholic -- Myth 8 Shakespeare's plays had no scenery -- Myth 9 Shakespeare's tragedies are more serious than his comedies -- Myth 10 Shakespeare hated his wife -- Myth 11 Shakespeare wrote in the rhythms of everyday speech -- Myth 12 Hamlet was named after Shakespeare's son -- Myth 13 The coarse bits of Shakespeare are for the groundlings, the philosophy is for the upper classes -- Myth 14 Shakespeare was a Stratford playwright -- Myth 15 Shakespeare was a plagiarist -- Myth 16 We don't know much about Shakespeare's life -- Myth 17 Shakespeare wrote alone -- Myth 18 Shakespeare's sonnets are autobiographical -- Myth 19 If Shakespeare were writing now, he'd be writing for Hollywood -- Myth 20 The Tempest was Shakespeare's farewell to the stage -- Myth 21 Shakespeare had a huge vocabulary -- Myth 22 Shakespeare's plays are timeless -- Myth 23 Macbeth is jinxed in the theater -- Myth 24 Shakespeare did not revise his plays -- Myth 25 Boy actors played women's roles -- Myth 26 Shakespeare's plays don't work as movies -- Myth 27 Yorick's skull was real -- Myth 28 Queen Elizabeth loved Shakespeare's plays -- Myth 29 Shakespeare's characters are like real people -- Myth 30 Shakespeare didn't write Shakespeare. |
| Record Nr. | UNINA-9910812193103321 |
|
Maguire Laurie E
|
||
| Chichester, U.K. ; ; Hoboken : , : Wiley-Blackwell, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
30 great myths about Shakespeare
| 30 great myths about Shakespeare |
| Autore | Maguire Laurie E |
| Pubbl/distr/stampa | [Place of publication not identified], : Wiley Blackwell, 2013 |
| Disciplina | 822.3/3 |
| Soggetto topico |
English
Languages & Literatures English Literature |
| ISBN | 1-118-32677-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910841301203321 |
|
Maguire Laurie E
|
||
| [Place of publication not identified], : Wiley Blackwell, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
After Oedipus [[electronic resource] ] : Shakespeare in psychoanalysis / / Julia Reinhard Lupton, Kenneth Reinhard
| After Oedipus [[electronic resource] ] : Shakespeare in psychoanalysis / / Julia Reinhard Lupton, Kenneth Reinhard |
| Autore | Lupton Julia Reinhard <1963-> |
| Pubbl/distr/stampa | Aurora Colo., : Davies Group Publishers, c2007 |
| Descrizione fisica | 1 online resource (310 p.) |
| Disciplina | 822.3/3 |
| Altri autori (Persone) | ReinhardKenneth <1957-> |
| Collana | Critical studies in the humanities |
| Soggetto topico |
Lear, King (Legendary character), in literature
Oedipus complex in literature Psychoanalysis and literature Drama - Psychological aspects Psychology in literature |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-935790-45-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
""Contents""; ""Preface to the Second Edition of After Oedipus""; ""Acknowledgments""; ""A Note on Citations""; ""Introduction""; ""Part One Hamlet in Psychoanalysis""; ""Chapter One “Shapes of Grief�: Hamlet, Freud, and Mourning""; ""Chapter Two The Trauerspiel of Criticism""; ""Chapter Three Hamlet� s Flesh: Lacan and the Desire of the Mother""; ""Chapter Four Hamlet�s “Ursceneca�""; ""Inter-Section""; ""Part Two The Lear Real""; ""Chapter Five The Motif of the Three Caskets""; ""Chapter Six The Lacanian Thing""; ""Chapter Seven The Tragedy of Foreclosure""; ""After-Word""
""Appendix The Subject of Religion""""Notes""; ""Works Cited""; ""Index"" |
| Record Nr. | UNINA-9910456650503321 |
|
Lupton Julia Reinhard <1963->
|
||
| Aurora Colo., : Davies Group Publishers, c2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
